
Saturday, April 9, 2011
Turn, turn, turn

Friday, April 8, 2011
Throwing pieces
Clay god
Monday, April 4, 2011
lime and ginger and honey
Sunday, April 3, 2011
ParraClay at the Armory
Yesterday I went by ferry to the Armory at Newington for a meeting of Parramatta Clay and Arts Incorporated: http://parraclay.org/
The nearest wharf is at Sydney Olympic Park at Homebush. There's a walkway/cycle path along the river. The armory is an interesting place with lots of old function specific buildings now put to other uses. By chance I encountered an ArtExpress exhibition http://www.sydneyolympicpark.com.au/Visiting/Whats_on/events/all_events/artexpress_2011_-_a_field_guide_to_human_life which impressed me with the sophistication of the concepts behind and execution of the artworks. It's a tribute to the excellence of art and design teachers in NSW. I think when I was at high school the big issues were if someone you knew could bring you back a pair of Adidas from overseas and whether Amco, Wrangler, Lee or Levi's were the best jeans. Thinking about politics or social issues was rudimentary at best.
The meeting was a lot of fun. I sat at a table with twelve clever, articulate creative people who managed to make thoughtful constructive decisions quickly. Every discussion involved flights of fancy and pragmatic resolutions. It was a delight to be part of and it feels like good things are going to result.
Monday, March 28, 2011
Bring the noise
There's something very exciting about loud repetitive noise - especially when heard in common with a large group of like-minded people. Like this
Tuesday, March 22, 2011
"Earth, Fire and Water"
I found this quote on a pottery blog: "We can make our minds so like still water that beings gather about us that they may see, it may be, their own images, and so live for a moment with a clearer, perhaps even with a fiercer life because of our quiet."- W. B. Yeats, "Earth, Fire and Water" from The Celtic Twilight.
I started throwing on my new wheel yesterday. I'd dug the clay some years ago and had done some prep work on it. It felt workable but as I tried to centre it I felt that it had lots of sand in it. The amount of water I needed to keep it moving dissolved the body. I had developed a technique for removing the outer layers of skin from my palms. I've put the clay aside for more contemplation.
Old brickmakers used to fire a test load of bricks probably in a clamp kiln and only when they'd cooled would know whether they'd "answered". Experience would tell them whether a clay was likely to answer but there was always uncertainty.
I think I'm asking this clay the wrong question.
I started throwing on my new wheel yesterday. I'd dug the clay some years ago and had done some prep work on it. It felt workable but as I tried to centre it I felt that it had lots of sand in it. The amount of water I needed to keep it moving dissolved the body. I had developed a technique for removing the outer layers of skin from my palms. I've put the clay aside for more contemplation.
Old brickmakers used to fire a test load of bricks probably in a clamp kiln and only when they'd cooled would know whether they'd "answered". Experience would tell them whether a clay was likely to answer but there was always uncertainty.
I think I'm asking this clay the wrong question.
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